It was an ignominious end to a stellar career for BP’s Bernard Looney.
He joins the growing pile of chief executives felled because of their failure to disclose romantic relationships in the workplace.
It’s becoming an increasingly thorny issue for businesses. Aware of the reputational damage these kinds of relationships can do, they are grappling with how to best manage them.
It means employees, even below the executive level, are increasingly having to make personal disclosures to HR.
Although there are no laws that ban romantic relationships within the workplace – and for valid reasons – businesses are drawing up policies of their own.
It’s a balancing act because businesses must respect their employees’ right to a private life, while also recognising that the dynamics of romantic relationships in a workplace can be complicated – especially when it involves workers with different levels of seniority.
Some employers now require employees to sign “love contracts,” whereby they must disclose and confirm that they consent to a relationship with another member of staff.
Others are banning senior staff from engaging in these types of relationships altogether.
Matt Gingell, an employment lawyer at the law firm Lombards, said: “I think that employers have to protect the workforce.
“And, of course, employers have to make sure that the dynamics of teams are fair, and that there isn’t favouritism or perceived favouritism (as a result of a romantic relationship).
“Also, that there aren’t situations where there can be an abuse of power, where people in senior roles are effectively abusing their position and adversely affecting perhaps more junior staff.”
Apple will update the iPhone 12 in France after regulators raised concerns over electromagnetic radiation emitted by the devices, according to the country’s digital minister and the firm.
The announcement came on Friday, after France on Tuesday ordered a halt to sales of the device, released in 2020, after finding that the model emitted more electromagnetic waves than permitted.
“Apple has assured me that it will implement an update for the iPhone 12 in the next few days,” said Digital Minister Jean-Noel Barrot in a statement to the AFP news agency.
The firm and Barrot insisted there was no danger to public health from the radiation.
“This is related to a specific testing protocol used by French regulators and not a safety concern,” Apple said in a statement, adding that the device complied with rules on emissions all around the world.
“We will issue a software update for users in France to accommodate the protocol used by French regulators.”
On Tuesday, Barrot gave the United States tech giant two weeks to issue an update to its phone, which was coming to the end of its career as a front-line Apple product.
He said the agency in charge of testing, the ANFR, would quickly assess the update and he would then decide whether to lift the ban on sales.
The World Health Organization has said several studies have been conducted in the field and “no adverse health effects have been established as being caused by mobile phone use”.
If you shop at Marks & Spencer your dad owns a boat that he keeps docked in Latvia and lives on three months a year for tax purposes. Photograph: iStock
It’s easy enough to find the differences between cultures when you move to a new place. They’re unavoidable. When I moved to London from Dublin about six years ago, by far the most pervasive and interesting (but hugely irritating) difference between the two countries was the stratified and closed nature of class in the UK. This remains the case.
Of course, we do have the concept of class in Ireland; we have two classes – working class, and “notions”. Middle class people (and heaven forbid, whatever lies atop that) are registered in Ireland more or less as British. They’re allowed but somewhat reluctantly and they will be judged if they lean too far into it.
This conception has its problems and fundamentally, it is quite insular. It’s why everyone in your town will start calling you “comrade” at the pub if you dare to rock up wearing a pea coat. They’ll see your newly laminated eyebrows at your cousin’s wedding and some aul fella who’s friends with your dad will say, from his position leaning heavily on the (free) bar, “Here’s Marty Morrissey, now. How’ye there Marty?”, at which point a significant part of you will simply long for death.
Class pervades everything in London and is far subtler than accents and economics, which are the primary class signifiers at home. I quickly came to understand that you need to “pass”, or doors will close. You should understand which music is “good”; which clothing signals “I went to an elite university so you should pay me as much as my colleagues with double-barrelled surnames”; and which food is likely to indicate to people that you don’t belong.
These foods include anything that is not currently fashionable, anything with melted cheese on it and any chips which are not made from courgettes. That’s exhausting. It means you can only listen to Paul Brady’s Nothing but The Same Old Story in your headphones and that you must pretend to think courgette fries are just as nice as potato ones, when we all know they’re flaccid and weird.
British supermarkets mirror the nation’s class structure. Iceland, the supermarket where pretty much everything is frozen, is understood to be for poorer people. Asda is for the pragmatic and efficient working classes, as is Tesco. If you’re headed into Sainsburys, you’re upwardly mobile middle class and slightly notions. Marks & Spencer? Your dad owns a boat that he keeps docked in Latvia and lives on three months a year for tax purposes. Once you’re doing the weekly shop at Waitrose, your job in finance or your marriage to obscure European aristocracy is going very well indeed.
I once went in there at lunchtime and found a bottle of something from their equivalent of a “value” range – it was “Waitrose Essential Ironing Water”. That’s water you put in your iron but more expensive. I held its exotic weight gently and uncertainly as though I’d found a baby parrot in the laundry aisle and thought to myself: “You’re very much not in Limerick any more.” Even holding British ironing water in Waitrose could get you two to four years in Mountjoy. But there are worse crimes.
At the pinnacle of notions supermarkets in the UK is the United States’ (libertarian-founded and Amazon-owned) Whole Foods, where you can buy sausage-free sausages and free range eco Panadol for the headaches you get when your nanny can’t seem to keep the children quiet. They also do nice smoothies.
When we moved to Australia from London two weeks ago, for reasons I wrote about in these pages recently, I felt confident the supermarkets would tell me much about the class structure of my new country of residence. It was a relief to discover in the supermarket aisle that Australians generally appear to have a similar, less insidious class structure closer to Ireland’s.
They are practical people and the market here for panda-free low carb Panadol is smaller than in the UK. This is possibly because so many Australians are a couple of generations descended from Irish criminals – though I’ve noticed that they tend to dislike it when you tell them that. Especially when you point out that everyone here seems to claim their indicted Irish forebear was sent here for stealing a loaf of bread to feed their family and that the British were considerate and efficient about keeping all the serious criminals at home.
[ It was him or me: the battle to catch Mr Jingles, our furry little London lout ]
There’s an Aldi near me where you can buy, or simply marvel at, a two-kilo pack of beef mince for around €13 but, generally, Coles and Woolworth’s have a duopoly on Australian groceries. There are flaws in this system. Price gouging, probably. A distinct lack of Percy Pigs. And what happens if one day I encounter an ironing emergency and really do need some essential ironing water?
Because sometimes Irish people are in the mood to be slightly notions, though we may pretend otherwise. Inside every Irish person is a tiny British person in a pea coat who likes Yorkshire puddings and Percy Pigs. It’s not our fault – that’s just part of the legacy of colonialism.
When my husband asked a stylish young Gen Z guy with a generous mop of hair and the look of someone who’s giving veganism a solid crack for September if there is a Whole Foods in Canberra, the boy looked at him in bafflement. “A whole what?” he replied. My husband elaborated, mentioning terms like “organic” and “grain-free”.
“There’s a farmer’s market on Sundays,” the obliging fellow replied with an expression of mild distaste at the question. “They have vegetables and stuff.” It feels less far from home here than you might think.
In the pizza world, things simply don’t get much bigger than being crowned the best pizza chef in the world. And that’s exactly what happened last night (September 13), where a global selection of chefs competed to be named the best in the World 50 Top Pizza Awards.
Competitors came from all over the world, ranging from Italy to the US (two nations that are famously particularly proud of their pizza), but the overall winner is based in London. Very, very exciting news, we know.
So, who is the best pizza chef in the world?
Well, (drum roll, please) … it’s Michele Pascarella, head chef and founder of Napoli on the Road in Chiswick. Pascarella (who is Italian, obvs) won the prestigious Global Pizza Maker of the Year 2023.
This guy has been making pizza since he was 11 years old, and he learnt in a town called Caserta, near Naples, the home of the good ol’ pizza pie. Here’s what the pizza maestro looks like.
Photograph: World 50 Top Pizza Awards, Napoli on the Road
Moving to the UK at the age of 19, Pascarella arrived with a cohort of promising Italian chefs, who have subsequently opened restaurants in Plymouth, Truro and Newquay. He set up Napoli on the Road in 2019, and that’s exactly how it began — on the road. The business, which has flourished into two budding restaurants, began as a truck from which he would take to food markets around London.
Pacsarella and his restaurant have won a number of awards, including a spot in the top 50 pizzas in Europe in 2021, the top 50 pizzas in the world in 2022, and the best European pizza maker earlier this year.
Upon receiving this accolade, Pascarella spoke to The Chiswick Calendar, saying that ‘[The 50 Top Pizza awards are] like the Michelin guide for pizza.’
However, his Global Pizza Maker of the Year win is surely the ultimate honour, but it’s easy to see why Pascarella is so deserving. The annual ceremony is based on a rigorous selection process, including anonymous restaurant visits by pizza critics. It’s all very mysterious.
On his win last night, Pascarella said that ‘winning Pizza Maker of the Year is a testament to pushing the boundaries of flavour and innovation within pizza. It’s not just about crafting the perfect dough or finding the finest ingredients; it’s about the artistry and passion that goes into every slice.’
Pascarella has rightly been dubbed the ‘pioneer of contemporary pizza.’ So, if your stomach is rumbling after reading that, you can check out Napoli on the Road’s current menu here.
Engineering work will cause travel disruption across London this weekend as a contrasting picture lies ahead for the capital’s weather. After a sun baked capital basks in temperatures of 26C on Saturday (September 16), on Sunday it will be more overcast, and we could even see thunderstorms.
Locals and tourists alike will be travelling in their millions around the capital on public transport during their days off. The London Underground , National Rail services, and London buses all have alterations this weekend.
As well as TfL’s website and TfL Go app, we’ve got you covered here at MyLondon . We’ve gathered all the information from our sources across London’s transport organisations and our team of reporters across the city to keep you moving.
Two Tube lines will be closed for longer than normal this weekend(Image: Getty Images)
London Underground and DLR
Tube – District line: On Friday, September 15, from 9pm, and all day Saturday 16 and Sunday 17, there will be no service between Earls Court and Ealing Broadway / Richmond. Replacement buses will operate.
Piccadilly line: From 9pm on Friday, September 15, until 4.30am on Sunday, September 17, there will be no service between Hyde Park Corner and Northfields / Uxbridge (including Night Tube ). Customers have been advised to use Metropolitan line services between Rayners Lane and Uxbridge.
DLR – On Saturday and Sunday, there will be no service between Bank/Tower Gateway and Poplar/West India Quay. Replacement bus service DL1 operates between Tower Gateway and Canary Wharf.
Starriest ever London fashion week launch testified to editor-in-chief’s contacts book and emphasised city’s heritage and prospects
There was Stormzy, and there was Shakespeare. There was a tribute to My Fair Lady, and there was Kate Moss and Naomi Campbell. There was opera by Henry Purcell, and hats by Stephen Jones; catsuits by Burberry and comedy by James Corden. A dizzying roster of cameo appearances included actors Damian Lewis, Sienna Miller and Harriet Walter.
Vogue World, a one-night-only performance at Theatre Royal Drury Lane on Thursday, was far and away the starriest opening night London fashion week has ever seen. The theme of the 37-minute show, linking Eliza Doolittle to Moss and a new Wayne McGregor ballet to a gospel choir, was London.
Sienna Miller and Kate Winslet greet each other at Vogue World. Photograph: Darren Gerrish/WireImage
Erdem and Simone Rocha were among the designers who took time out from preparations for this weekend’s collections to design costumes for the show, but the most glamorous peacocking of the night took place in the lobby before curtain up, as the 1,500-strong audience paraded in their finery. Princesses Eugenie and Beatrice wore floral gowns while Alexa Chung was in hotpants and a leather bonnet. Victoria Beckham went for minimal black tailoring. Tom Daley opted for silver sequins.
The show was masterminded by Vogue editor-in-chief Anna Wintour and Stephen Daldry, Bafta- and Olivier-winning director of The Crown, to celebrate London’s heritage as a cultural powerhouse and to highlight and support the city’s performing arts, with proceeds from the event going to a range of performing arts organisations in the capital, from the National Theatre and Royal Opera House to the Royal Ballet, Southbank Sinfonia and the Rambert dance company.
“The arts are under threat in the UK,” Wintour said before the event, describing Vogue World as “a timely reminder of how important they are, how vital a part of our lives, and how much they need our support.” Held on the eve of the fashion showcase, it framed London fashion week as part of a grand artistic tradition in the city.
Tom Daley, Yasmin Finney and AJ Odudu at Vogue World. Photograph: Darren Gerrish/WireImage
A Vogue insider described the event as a way to use “the great Vogue privilege of being able to create a lot of noise” for a cause which is both worthy and close to the heart of Vogue overlord Wintour. It was a showcase for the prestige of London, and for the prestige of Wintour herself. Like the Met Gala in New York, the event was a formidable flex which spoke to the power of Wintour’s contacts book. Who else could secure Sir Ian McKellen as the theatre’s “voice of God” for the night, and orchestrate a surprise finale featuring a quartet of the original supermodels: Cindy Crawford, Linda Evangelista, Naomi Campbell and Christy Turlington?
Over tequila cocktails before the show, gossip revolved around the fashion industry’s current favourite topic: the Kremlinology of who is in and who is out at British Vogue, where Edward Enninful is stepping down from the editor’s chair. With an announcement expected imminently, the programme and seating plan were fine-combed for clues as to who is poised to succeed him.
The audience was a veritable who’s who of fashion and arts. Before the show, Stormzy was to be seen deep in conversation with Andreas Kronthaler, husband of the late Vivienne Westwood. Sarah Burton, who recently announced her imminent departure from Alexander McQueen, caught up with ex-Burberry creative director Christopher Bailey. Alistair Spalding, artistic director of Sadler’s Wells, was in the audience alongside playwright David Hare with his fashion designer wife, Nicole Farhi.
The film director Baz Luhrmann – said to have been brought in at the 11th hour to add a little extra stardust to the production – roamed the lobby resplendent in a pearl necklace, while Stella McCartney led the dancing when Annie Lennox sang Sweet Dreams Are Made of This.
Baz Luhrmann, Anna Wintour and Edward Enninful greet guests at Vogue World. Photograph: David M Benett/Alan Chapman/Dave Benett/Getty Images
With Wintour rumoured to be moving to London and focusing her legendary energy on British Vogue and the wider British fashion industry, the night seemed to hint at what her strategy might be for revitalising London fashion. An orchestra played on the red carpet, while Wintour and Enninful made small talk in a formal receiving line, shaking hands with all guests on arrival; at the end of the night, bouquets of red roses were presented as a farewell token.
This mood of old-school elegance was a notable departure from the rough-and-ready vibe which has tended to define London fashion week, known for draughty car park venues and stompy models. The night was a love letter to theatre and performance, to supermodels and to glamour – and, perhaps, the start of a new age of elegance in London fashion.
In late July, Niger’s democratically elected president, Mohamed Bazoum was ousted in a military coup.
Abdourahamane Tiani, a general, was later declared as the country’s new head of state.
In response to the putsch in the country, ECOWAS, led by President Bola Tinubu, had threatened to deploy force, besides economic and financial sanctions, to reinstate the ousted leader, Mohamed Bazoum.
It was learnt that there are two delegations from the country seeking to participate at the General Debate.
The “General Debate” is the formal name for the speeches given at the General Assembly by Presidents, Prime Ministers and diplomats from hundreds of United Nations member states.
Niger is however scheduled to speak on Thursday, September 21.
The Under-Secretary-General for Global Communications, Melissa Fleming while speaking to journalists clarified that the onus lies on the credentials committee to work on the recognition.
She said: “We believe that military coups are not the way to change power, but through democratic transitions which are free and fair elections.
“The UN is really making as much effort as it can, to try and push for democracy, and not to acknowledge takeovers of power that are not legitimate.
“For example. Niger Republic is trying to send two different delegations to the UN next week. Everybody wants to keep the UN to recognize them.
“There’s no delegation from the Taliban. If a country is not recognized by the UN, then you know, you’re going to have a hard time; also getting international aid is not going to be easy. We provide support to governments in transition and try to bolster democracies.
“There is a Credentials Committee which is made up of member states that is supposed to be meeting to make a decision on who can be represented.
“We have the same situation with Myanmar. The Credentials Committee hasn’t met yet, which is also as a result of the geopolitical plan tensions. So we’ll have to see in the coming days what the outcome will be. But so far, there’s no one recognized.”
“We never boycott artists,” French Culture Minister Rima Abdul Malak told RTL on Friday, as professionals denounced a government directive on Thursday calling for the suspension of all collaboration with artists from Niger, Mali and Burkina Faso.
“We do not currently have a visa service in operation in these countries for security reasons”, she explained, denouncing “confusion” and explaining that it was “materially” impossible to “issue visas to come to France”.
“There is no question of stopping discussions with artists”, she insisted, adding that all those “who already have visas and who have tours or shows planned (…) will be able to come as planned”.
“We never boycott artists anywhere”, she stressed, adding that “there is no boycott, no reprisals”.
In a press release published on Thursday, the Syndeac (Syndicat national des entreprises artistiques et culturelles) and its counterparts the Aac, Accn, A-CDCN, ACDN and ASN reacted strongly to the message they claim to have received on Wednesday “from the DRACs”, the regional directorates for culture, and “drafted on the instructions of the Ministry of Europe and Foreign Affairs”.
This message, which is scathing in tone, asks our members to “suspend all cooperation with the following countries until further notice: Mali, Niger, Burkina Faso”: Mali, Niger, Burkina Faso”, the unions wrote in their press release.
For the Minister of Culture, “France has always been ready to welcome artists in danger”. “We will continue to do so”, she also said.”This is an adaptation to an extremely deteriorated security situation, which is particularly targeting French buildings and French teams in these three countries”, she added.
On 29 July and 6 August, France suspended all its development aid and budget support operations with Niger and Burkina Faso. It had already done so for Mali in November 2022.
France’s ambassador in Niger is being held hostage at the French embassy by the military junta which has seized power in the West African nation, President Emmanuel Macron said on Friday.
“As we speak, we have an ambassador and diplomatic members which are being literally held hostage at the French embassy, and food is prevented from being delivered. They’re eating military rations,” Macron told reporters during a visit to Burgundy.